The producer and Killing Joke bassist has produced everyone from Alien Sex Fiend to Bananarama. He recently gave an interview and talked about his time when he worked on Urban Hymns:
"There’s something very wonderful about being part of a band’s adventure as they break through. I don’t know what happened to Richard Ashcroft just before Urban Hymns: the band had been this very jamming, psychedelic act on the gigging circuit for two albums – then the songs seemed to just come to him from above, absolutely perfectly formed, with the knowledge of how to sing them. Recording his vocal was probably the easiest I’ve ever done, but the challenge then was to make the music and production reach the same level, and that took over six months. As ever with a band, there’s a lot of conflict resolution for the producer, a lot of: “Well let’s try recording both versions and see which one sounds best.” A lot of stunning material was recorded that never came out and I’m hoping that on the 20th anniversary, maybe some of it can be heard on a special edition. It was worth all of that effort though, and it ended up one of the best-sounding records I’ve ever done - due mainly to Chris Potter who engineered and mixed it. He aced that one."